![]() ![]() So that was a challenge but we had a great method. It was it was the day for night section when you going into the movie that that was going to be was challenging because the the whole scene was shot during the daytime and it was two to three stops overexposed so it looked nothing like night. GB - I guess I'll start off with a question about which section of Mad Max: Fury Road was the most difficult for you to color?ĮW - Good question. Now today we're joined by Eric Whipp, and Eric's the colorist for Mad Max Fury Road, The Lego Movie 2: The Second Part, Happy Feet I & II, and he's also one of the Co-owners of Alter Ego post here in Toronto. Every week on Friday at 2pm Eastern time we go live with a film professional to give you a chance to ask your questions. At we create courses for film professionals to deepen and diversify their existing skill set. Gordon Burkell (GB) - Hi everyone, I'm Gordon Burkell from Filmmaker U. He most recently finished The Lego Movie 2: The Second Part. He reunited with George Miller for the ground-breaking film Mad Max: Fury Road. Today he is a Co-Founder and Senior Colorist at Alter Ego in Toronto, Canada. He became a colorist in the 1990s and helped George Miller with his Oscar-winning film, Happy Feet. If you want to learn more directly from Eric on his processes, his insights and his vast amount of experiences check out our online class with Eric here.Įric Whipp was born in Auckland, New Zealand, and raised in Australia. ![]() Eric talks about his workflow while working remotely, as well as the delicate balance of working with clients. Colorist Eric Whipp joined Gordon Burkell to answer questions about Mad Max: Fury Road, Color Correction, and give career advice.
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